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Richard Cory
Robinson builds an enviable man in three stanzas so the last line can pull the floor out. The admiring tone is the trap. Text follows The Children of the Night, 1897. The ending touches on suicide.
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Robinson builds an enviable man in three stanzas so the last line can pull the floor out. The admiring tone is the trap. Text follows The Children of the Night, 1897. The ending touches on suicide.